Art DMV Pro Spezifikationen

- i -7KH$57TABLE OF CONTENTSIntroduction ...

- 6 -DMV-PRO FRONT PANEL CONTROLS & INDICATORSPROCESSORS (A) AND (B)The DMV-PRO contains two audio processors, labeled Processor (A) and Processor

- 7 -the Encoder’s function between selecting parameters and changing values. For more information onparameters, see page 28.) PROCESSORS (A) &

- 8 -option is available as an effect parameter. See the parameter descriptions on page 28 for more information onbypassing individual effects.. PR

- 9 -2 UNLOADED PRESET INDICATORWhen you turn the Preset Encoder to view presets, the DMV-PRO’s sound won’tchange until you press the Preset Encode

- 10 -Dry Kill and Global MixDry Kill and Global Mix are two related functions that allow you to quickly alter the ratio of wet (processed)and dry (un

- 11 -Setting Dry Kill and Global Mix:To adjust Dry Kill or Global Mix, press the MIDI/Util button. Turn the Preset Encoder until [ ]appears on the to

- 12 -DMV-PRO REAR PANEL CONNECTIONSDespite the DMV-PRO’s sophistication, it’s easy to interface the unit with other equipment. All inputs and outputs

- 13 -& OUTPUTS #1–4All four Outputs are single-ended (unbalanced) ¼” jacks with low impedance. A preset’s routing determinesthe use of each Ou

- 14 -TUTORIALThe best way to understand the DMV-PRO is just to jump in and edit some presets. It doesn’t take long andyou’ll see how easy editing is

- 15 -CascadeCascade routing also has two effects with twolinked engines, but the output of the first group isfed into the second. In this routing, yo

- ii -Routing LEDs ...

- 16 -TUTORIAL 1: STARTING FROM SCRATCH AND CHANGING EFFECTSEdit the Routing:By editing any preset’s routing, you are essentially building a new prese

- 17 -Repeatedly press the Routing button until the Discrete 4 Routing LED is lit. Observe both LCDs. Again, theDMV-PRO has loaded default effects for

- 18 -Follow the instructions: Use the Preset Encoder to select the preset number that you want to overwrite (youdon’t have to turn the encoder if you

- 19 -As you can see, the editing operation is simple: Turn the encoder to select a parameter, press and turn theencoder to change the parameter’s val

- 20 -this ordering. You could, for example, set a received program change value of 1 to recall DMV-PRO preset#40, a program change value of 2 to reca

- 21 -Next, turn Encoder (A) to select an incoming MIDI program change number that you wish to map. Thiscontrol’s range is from 1 to 128. Turn Encoder

- 22 -controller’s value linearly corresponds to the key, velocity, or aftertouch value being played. For example, ifMIDI CC Number was set to Note On

- 23 -TUTORIAL 4: ADVANCED APPLICATIONSThe Smart Encoder:The Smart Encoder™functions allow you to perform real-timetasks, such as tapping in new delay

- 24 -RotaryThe Rotary Spin High/Low option allows the Encoder to toggle the rotary speed between a high and low spinrate (alternating with each Encod

- 25 -Smart Encoder Functions while Editing Reverb, Delay, and Rotary Effects:Smart Encoder functions are automatically set up to work while editing r

- iii -Modulated Effects ...

- 26 -THE DMV-PRO’s ADJUSTABLE PARAMETERSDESCRIPTION OF ROUTINGS AND ENGINESThe DMV-PRO contains four engines that can be routed in four different way

- 27 -Discrete 4:This routing configures the DMV-PRO as four mono signalprocessors. Each Input feeds its corresponding Output.However, if any Input (e

- 28 -DESCRIPTION OF CLASSESEach effect has six classes, which are effect variations. The class name generally denotes the application forwhich the cl

- 29 -Effect Class:Classes are effect variations and are named after the applications they are optimized for. Each effect has sixclasses and their nam

- 30 -Treble Control-20-15-10-505101520100 1000 10000 100000Frequency in Hz (Log Scale)Boost (dB)MIDI ParametersEffects can have up to four controller

- 31 -&+$0%(55(9(5%The Chamber Reverb simulates a reflective enclosure (perhaps made of wood or concrete) with a sound source atone end and a mic

- 32 -InstrumentThe Instrument Reverb is tailored for most solo instruments to maintain their tonal quality. High frequencydecays are not limited and

- 33 -(greater than 3 seconds) are usually used for “bigger than life” special effects. Both the Decay and Sizeparameters should be used together to s

- 34 -Length: Sets the length of the gated reverb, from 50 to 500 milliseconds.Motion: Sets the movement of the reverberation tail. This control is

- 35 -CabinetSizeMic DistanceMicSeperationMic PositionTo left outputTo right output',*,7$/'(/$<These algorithms delay a signal in time

- 36 -DynamicThe Dynamic Delay uses input level to switch the Regeneration amount between its preset value and 0.DUCKING CLASSIC CONCERT GATED MIC PLA

- 37 -starting from the bottom-left speaker. An ‘S’ at the end of the line indicates that both mics pick up soundfrom both speakers as with normal Ste

- 38 -3,7&+75$16326(5The Pitch Transposer (PT) algorithm can change the base-pitch of a sound. Each PT class contains an auxiliarydigital delay t

- 39 -PITCH PARAMETERS:Buffer Size:This control sets the loop length and splicing characteristics of the PT. Two of the four settings, Smooth-Long and

- 40 -02'8/$7('())(&76Chorus, flanger, phaser, tremolo, and panner are modulated effects. They use a Low Frequency Oscillator (LFO) tos

- 41 -Classic, Jazz Chorus, MXR “Grey,” and MXR “Phase 90,”These classes recreate the sound of the “classic” effects. The LFO parameters and sometimes

- 42 -5-Notch Ducking MXR “Phase 90” MXR “Phase 100” Gated “Boston” Phaser DynamicDelay ±1ms Delay ±1ms Delay ±1ms Delay ±1ms Delay ±1ms Delay ±1msDel

- 43 -Effect Enabled:In Ducking and Gated classes, this control sets the audio input level that controls the gating action of theeffect. Signals that

- 44 -527$5<The Rotary effect simulates a 2-way rotating-speaker cabinet with a built in crossover network. Rotating speakers aretraditionally used

- 45 -Auto Switch Wood Cabinet Concert Gated Stereo Split DynamicSpin Up Time Spin Up Time Spin Up Time Spin Up Time Spin Up Time Spin Up TimeSpin Dow

- 1 -INTRODUCTIONThank you for purchasing a DMV-PRO and congratulations! You now own one of the most sophisticated pieces ofaudio signal-processing te

- 46 -MIDI/UTIL PARAMETERSThe MIDI/Util Parameters affect the whole unit are set in MIDI/Util Mode. To access this mode, press the MIDI/Utilbutton, th

- 47 -internally change patches when this happens; it just sets LCD (A)’s program change number to the number that itreceives.DRY KILL / GLOBAL MIXDry

- 48 -REFERENCE: DMV - PRO Factory Preset List# Name Routing In/Out 1 In/Out 2 In/Out 3 In/Out 4 TOP 191 Big Stereo ReverbTwin Stereo Concert Hall I

- 49 - Chorus50 Wide RhodeMulti FX Chorus → Tremolo → Stereo Hall51 MXR "Yellow"Twin Stereo Stereo Chorus Stereo Chorus52 Tri-ChorusMulti

- 50 -LFO SHAPES (two cycles each)EXPONENTIALThe Exponential waveform is not availableon Tremolo and Panner effects.SINETRIANGLERECTIFIED SINEThese gr

- 51 -INVERTED RECTIFIED SINESQUARERAMPINVERTED RAMPMIDI IMPLEMENTATION IN THE DMV-PROChannel Voice MessagesThe DMV-PRO can respond to Note On, Contro

- 52 -Byte Number Value (in hex) Description1 F0 Start of SysEx message.2 1A A R T manufacturer’s ID.3 0x MIDI channel (00 to 0F).4 22 DMV-PRO product

- 53 -MIDI CONTROLLERS AND NUMBERSHere’s a list of MIDI Controllers and their numbers, which may help to avoid conflicts if you control theDMV-PRO and

- 54 -WARRANTY INFORMATIONLimited WarrantyApplied Research and Technology, Inc. will provide warranty and Service for this unit in accordance with the

- 55 -4) Pack the unit in its original carton or a reasonable substitute. The packing box is not recommended as ashipping carton. Put the packaged uni

- 2 -INSTALLATIONThe DMV-PRO may be used in a variety of setups including with mixer channel inserts, mixers with reverb send andreturn facilities, an

- 56 -DMV-PRO SPECIFICATIONS:A/D converters: 20 bit, 64 times oversampled, delta sigma, X4D/A converters: 20 bit, 128 times oversampled, delta sigma,

- 57 -A R T maintains a policy of constant product improvement. A R T reserves the right to make changes in design ormake additions to or improvements

- 3 -QUICK START INSTRUCTIONSYou’ve unpacked your DMV-PRO and you’re in a hurry to get it up and running. You probably would rather play with itthan r

- 4 -called Dry Kill that will conveniently turn off the dry signal path inside the unit. Each preset’s Mix value is stillretained, even though all dr

- 5 -TRY IT OUT:Turn on your amp or mixer and monitor amplifier.Make sure that your mixer’s or amp’s send level control is turned up and that a signal